#Imogen heap hide and seek license#

Something you might not have been comfortable listening to, because it’s a little bit outside of your comfort zone, is suddenly it’s OK if it’s in a film. There’s something that happens when you synchronize music and film.

#Imogen heap hide and seek license#

gave so many people the license to say they liked the song. A couple people played it on the radio before and the reaction was either, “How could you play this rubbish?” Or, “I have to pull the car over because I can’t believe the beauty of this song!” But The O.C. “How lucky!” It’s kind of a weird song - you either love it or you hate it. What was it like having this private, intimate song become such a phenomenon? The song rose to prominence after it was featured in the Season 2 finale of The O.C. I don’t know anything about him other than he released the song and I’m very grateful for it.' 'I’ve never met, I’ve never spoken to him on the phone, I’ve never emailed him. It takes on its own meaning in the ambiguity, even though it’s really about something very specific that happened. But in a way I think that’s the power of the song. Maybe on my deathbed! A few people need to die before I let that one go. Lyrically, I don’t really talk about because it’s so private. Then ever so quietly is what sounds like rain, but it’s actually spaghetti bolognese cooking in the frying pan in a kitchen that’s relevant to the song. Late at night there was a train and it went past and it harmonized itself. Playing it felt like I was jamming with myself, and what came out was this song almost in its entire form.

and I noticed this piece of equipment I hadn’t used that was loaned to me, a harmonizer. I bought all the equipment for my birthday and I had $100,000 to put together. What was the message you were trying to convey when you first wrote it?Īt the time I had remortgaged my flat to pay for my record. “Hide and Seek” has taken on a life of its own over the past 15 years. “ Normal People made me realize that maybe I should try to find time to get into the studio, so I am going to try to make new music.”Īhead of this milestone, Bustle spoke with Heap about the song’s journey through pop culture. It has an effect on my physicality and my emotions,” she tells Bustle. That the song is still resonating has had a transformative effect on Heap. While the timing is pure luck, it’s not surprising that “Hide and Seek” is having a cultural resurgence as it celebrates its 15th anniversary. In the years since, the song has soundtracked climactic moments in a number of dramas about adolescents, from Gossip Girl, to Degrassi: The Next Generation, to Norway’s Skam most recently, Hulu’s Normal People got the “Hide and Seek” treatment.

But The O.C.’s real gift was cementing “Hide and Seek” as a devastating emotional cue for teenage melancholy. It even was parodied on Saturday Night Live. The song went on to earn more than $1 million in revenue and become certified gold by the Recording Industry Association of America. which exclusively debuted “Hide and Seek” during its finale - helped make the avant-garde track a bonafide hit. The sound of the gunfire is overlaid with the vocoder-heavy vocals of Imogen Heap’s “Hide and Seek.' Together, they form a perfectly melodramatic crescendo that ushered in the new sound of adolescent angst. While gazing longingly at Ryan - it's impossible to overstate just how much prolonged staring occurs in the scene - she fires a bullet into Trey’s back. As the fight escalates, Marissa intervenes. A lovelorn Ryan rushes over to Trey's apartment to confront him for laying his hands on Ryan's on-again-off-again girlfriend, the tragedy-prone Marissa Cooper. In the 2005 Season 2 finale of the juggernaut teen drama The O.C., tensions between brothers Trey and Ryan Atwood come to an explosive head.