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It's not that I wasn't sad about his death before, it's more that, by the end of the play, Brian was a real person to me and I felt his loss at a much deeper and much more personal level.įor two hours last night, Andrew Lancel did not play the part of Brian Epstein Andrew Lancel WAS Brian Epstein. By the end I felt as if I knew and understood Brian for the first time and, again for the first time, I realised how sad I was that he had died so young. This is not a play that sets out to tell the 'truth', whatever that may be, about the Beatles or about Brian instead, it offers an insight into Brian the man, and in that aim it succeeds brilliantly.īrian was a genius, but he was also human and it is the human side of Brian that Andrew Lancel brings to life. He begins by warning the audience what to expect - or, rather, what not to expect.

'Epstein: The Man Who Made the Beatles', starring Andew Lancel and Will Finlason is being performed at the Epstein Theatre in Liverpool until Saturday December 1.įinlason plays 'this boy' - an anonymous character who spends the evening getting to know Brian Epstein.

There are times, when you sit down to write a review, when you know, even before you start, that your words can never do justice to the quality of the performance that you've just seen. John and Yoko's concerts, their political Insider's look, chronicling everything from Many other figures from Rock 'n' Roll and the The Beatles, Eric Clapton, the Rolling Stones, Richter lived and worked with John Lennon and

Read his poetry at the legendary Albert HallĪ close friend of Yoko Ono's, the main focus of Ginsburg, Gregory Corso and William Burroughs, Opening of Stanley Kubrick's 2001: A Space Odyssey. To study mimetic forms around the world, and was With a foreword by Yoko Ono, The Dream is Over covers a ten-year span fromĪuthor Dan Richter took a year's leave of absence asĪmerican Mime Theatre and teacher at the American

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